Osaka Love & Soul (TV film) Drama 2010, 75 min

Hoping to make a comeback after a bad scandal, an actress agrees to research a new role by taking a job as a secretary for a prickly attorney.

A mix up over a purchase leaves amateur jeweler, Melissa being enlisted by the CEO of the biggest jewelry company in Miami to help create a bridal line with the CEO’s too-serious son Jake. Reluctantly, Melissa and Jake partner up, but their journey together leads to more than just working together. Love blossoms but will it continue once Melissa is given back the heirloom she mistakenly gave away?

A drama about Tae Min, a lifelong bachelor who runs a publishing company, and Yoo Da Young, a cute and attractive woman, who end up quarreling their way into marriage. It follows their marriage and the amusing and chaotic events that take place in both of their extended families as they live together.

An ex-marine, in search of some defining life direction, unexpectedly faces a hurdle when his jeep breaks down in a sparsely populated Wyoming town. While waiting for parts to repair the vehicle he takes a temporary job as a rest area attendant and moves onto a ranch run by a one-legged widow with a mentally handicapped son. When an abandoned Vietnamese girl joins the group, the scene is ready for confrontation and tragedy.

Trang has a perfect family, a good wife with daughter and son. He has a doubt when Tawanwad, a female artist, comes to his life. He has to choose between the duty and feelings inside his heart.

An ex-marine, in search of some defining life direction, unexpectedly faces a hurdle when his jeep breaks down in a sparsely populated Wyoming town. While waiting for parts to repair the vehicle he takes a temporary job as a rest area attendant and moves onto a ranch run by a one-legged widow with a mentally handicapped son. When an abandoned Vietnamese girl joins the group, the scene is ready for confrontation and tragedy.

"Pointing at my own image on the video monitor: my attempt is to keep my finger constantly in the center of the screen袸 keep narrowing my focus into my finger. The result [the TV image] turns the activity around: a pointing away from myself, at an outside viewer." 　　-- Vito Acconci, "Body as Place-Moving in on Myself, Performing Myself," Avalanche 6 (Fall 1972) 　　"By its very mise-en-scène, Centers typifies the structural characteristics of the video medium. For Centers was made by Acconci's using the video monitor as a mirror. As we look at the artist sighting along his outstretched arm and forefinger toward the center of the screen we are watching, what we see is a sustained tautology: a line of sight that begins at Acconci's plane of vision and ends at the eyes of his projected double." 　　-- Rosalind Krauss, "Video: The Aesthetics of Narcissism," October 1 (Spring 1976)

"Pointing at my own image on the video monitor: my attempt is to keep my finger constantly in the center of the screen袸 keep narrowing my focus into my finger. The result [the TV image] turns the activity around: a pointing away from myself, at an outside viewer." 　　-- Vito Acconci, "Body as Place-Moving in on Myself, Performing Myself," Avalanche 6 (Fall 1972) 　　"By its very mise-en-scène, Centers typifies the structural characteristics of the video medium. For Centers was made by Acconci's using the video monitor as a mirror. As we look at the artist sighting along his outstretched arm and forefinger toward the center of the screen we are watching, what we see is a sustained tautology: a line of sight that begins at Acconci's plane of vision and ends at the eyes of his projected double." 　　-- Rosalind Krauss, "Video: The Aesthetics of Narcissism," October 1 (Spring 1976)

Documentary on the making of the film “Love & Basketball” produced by the Criterion Collection in 2021